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Our professional curriculum

The American School of Modern Music has been training professional musicians for over 40 years, offering an alternative to French conservatories. It provides an education inspired by the United States, tailored to contemporary musical genres and the realities of today’s music professions, while maintaining the rigor and high standards that have built its reputation.

The constantly evolving program has two main objectives: to ensure the acquisition of the technical and theoretical skills required by the demands of the profession, and to enable each student to develop their personal artistic project.

Objectives of the music programs

The professional curriculum trains students in the essential skills needed to meet the demands of today’s musicians, where versatility and autonomy are key to envisioning a long career.

It is not just about performing with a band or participating in television shows but mastering the technical and artistic know-how necessary for a diverse musical career. Students learn to compose music, whether for themselves or others, to produce music using digital tools, to master harmony and arrangement, while developing an excellent musical ear and a high level of instrumental proficiency, enabling them to perform in concerts or accompany other artists. Music Business skills are also included in the program to help students manage their careers and adapt to a constantly evolving professional environment.

At the same time, the curriculum places strong emphasis on the personal artistic development of each student. Each student is supported in structuring their own musical project, which is a key component of the training. This process culminates in the production of an original EP for each student, reflecting their artistic identity, along with a distribution strategy and concerts performed under professional conditions (large venues, recordings, etc.).

This dual objective – acquiring skills and developing a personal artistic project – ensures a comprehensive education tailored to the realities of a musician’s profession.

The program

The number of hours indicated in the schedules does not reflect the actual work and time investment required at the school, which are much greater. In addition to classes, students will be required to:

Prepare for the school’s concerts by rehearsing with their ensembles.

• Participate in the weekly jam sessions.

• Work on the weekly assignments for each subject.

• Take part in sessions with other students.

Play in other students’ projects.

Accompany during classes.

Create projects, prepare for their professional project, and develop their network.

The American School of Modern Music offers a total of 51 different courses/modules.

First Year

Learning the basics of harmony, key writing techniques, analysis, and harmonization, which will be used for composition and arrangement, among other things.
Course duration: 2 hours

Instrument classes are taught in small groups.
Course duration: 2 to 3 hours depending on the number of students and the type of instrument.
*Singing students have a repertoire and vocal technique class.

Each student at the school is assigned an ensemble for the year with which they will perform live in a Parisian club. Focus on group performance, improvisation, and repertoire in various styles.
Course duration: 2 hours

Introduction to production, mixing, sound design, and an overview of the main DAW (Digital Audio Workstation) software for mixing and live music.

Each term includes individual or team project submissions.
Course duration: 1 hour

Introduction to sung solfège, rhythm, ear development, sight-reading, and music transcription techniques, including recognition of intervals, chords, and harmonic progressions.
Course duration: 2 hours

Each student must perform in front of a jury at the end of the year. They will be evaluated on their knowledge of the school’s repertoire and their instrumental progress.

Class reserved for singing students.
The vocal repertoire class involves in-depth learning, interpretation, and vocal improvisation on pieces in various styles.
Course duration: 2 hours

Class reserved for singing curriculum students.

At the heart of the school and student interactions, students are encouraged to participate in the many Jam Sessions organized by the school every week.
The jams take place in various formats, including public sessions at Sunset as well as other public venues. Additionally, there are private sessions in a more educational format within the school.

Throughout the year, masterclasses (optional) will be organized with prominent figures from the music world. * (Although generally free for school students, some may require an exceptional financial contribution).

From the first year, students are encouraged to perform at the school’s concerts several times throughout the academic year.

Second Year

In-depth harmonic learning, harmonization techniques, reharmonization, and voice leading development.
Arrangement techniques and writing for multiple voices (2 to 4 voices). Study of different styles and writing for various orchestrations.
Course duration: 2 hours

Instrument classes are taught in small groups.
Course duration: 2 to 3 hours depending on the number of students and the type of instrument.
*Singing students have a repertoire and stage coaching class.

Each student at the school is assigned an ensemble for the year with which they will perform live in a Parisian club. Focus on group playing, improvisation, and repertoire in different styles.
Course duration: 2 hours

Modular training per term:
Introduction to composing music for film, video games, working with live music tools, using loops and controllers.
Beat making and groove editing: using the main tools to support the production of professional productions.
Course duration: 1 hour

Advanced study of sight-singing, rhythm, transcriptions, recognition of 4-note chords and beyond, harmonic dictation, polyphonic singing.
Course duration: 2 hours

Each student must perform in front of a jury at the end of the year. They will be evaluated on their knowledge of the school’s repertoire and their instrumental progress.

Class reserved for singing students.
The vocal repertoire class involves in-depth learning, interpretation, and vocal improvisation on pieces in various styles.
Course duration: 2 hours

Class reserved for singing curriculum students

Although not mandatory, students are encouraged to regularly participate in the many Jam Sessions organized by the school, which allows teachers to closely monitor and track students’ progress.

Throughout the year, masterclasses (optional) will be organized with prominent figures from the music world. * (Although generally free for school students, some may require an exceptional financial contribution).

Starting from the preparatory year, students are encouraged to perform at the school’s concerts several times throughout the academic year.

Third Year

Advanced harmonization and arrangement techniques.
Course duration: 2 hours

Group classes with reduced numbers * some specific instruments require a lesson with a private instructor or in a small group. Course duration: 1 to 2 hours depending on the number of students and the type of instrument. *Singing students have a repertoire and stage coaching class.

Advanced ensemble classes in various musical styles, supervised by a school instructor. The ensembles will represent the school in the largest Parisian clubs.
Course duration: 2 hours

Work on atonal sight-reading, polyrhythms, recognition of advanced chord shapes (5 or 6 notes), transcriptions, and work on rhythm, “time feel,” and forms with Guillaume Estace and Raphael Pannier.
Course duration: 2 hours

Work on composition, development of students’ artistic projects, and their final project (Album/EP).
Course duration: 2 hours

Course in the Singer-Showcase format, where singing students are encouraged to perform precise and personal pieces, supported by carefully crafted arrangements accordingly.

Starting from the preparatory year, students are encouraged to perform at the school’s concerts several times throughout the academic year.

Students are encouraged to regularly participate in the many Jam Sessions organized by the school, which allows teachers to closely monitor and track the students’ progress.

Throughout the year, masterclasses (optional) will be organized with prominent figures from the music world. * (Although generally free for school students, some may require an exceptional financial contribution).

Preparation for an end-of-year concert in a large Parisian venue.

The final project will be the creation of an EP, composed of several tracks produced and recorded in collaboration with the students and teachers of the school, and realized at a professional level. The EP will showcase the knowledge gained throughout the program and serve as a platform for the graduating students to launch their professional projects.

Modular courses

Students are placed in the appropriate courses and levels after their audition. It is common for a student in the professional track to be placed in different courses depending on their knowledge in each subject (for example, preparatory year in sight-reading and first year in harmony).

Optional courses

The American School offers additional courses during this program, which are optional and focused on specific modules:

  • Film Scoring / Music for Film
  • Second Instrument
  • Private Lessons
  • Certification IOMA
  • Title AMMA

The teaching staff

Marwan Boulaïd

Guitariste / Compositeur
Marwan Boulaid, a graduate of the American School of Modern Music and Berklee College of Music, is a guitarist specializing in modern jazz, fusion, and improvised music. He has collaborated with artists such as Sylvain Luc, Ichika Nito, and Romain Labaye, and is currently producing his album “Leap of Faith”. A teacher at the American School of Music in Paris, he is also a Vola Guitar endorsee. His EP Capture showcases his unique style, blending jazz, rock, and pop.

Thomas Billon

Guitarist / Composer
Administrative and Financial Director of the American School of Modern Music, Thomas Billon holds a DEM in Jazz Music Education, graduated (Cum Laude) from the American School of Modern Music in guitar, and is an engineering graduate from Télécom. He applies his skills to ensure the smooth operation of the school: development of institutional partnerships, management, and teaching.

Leïla Olivesi

Pianist / Composer / Director
Leïla Olivesi, recipient of the 2022 Django Reinhardt Award, is a French jazz composer and pianist. Her acclaimed album ASTRAL earned top accolades, and she has collaborated with artists like David Binney and Manu Codjia. Currently Vice President of La Maison du Duke, she is also a speaker on jazz and Duke Ellington.

Raphaël Pannier

Drummer / Composer
Raphaël Pannier, Paris-born drummer and composer, studied at the American School of Modern Music, Berklee College of Music, and the Manhattan School of Music. His debut album, Faune (2020), featuring Miguel Zenón, earned international acclaim, including “Best Debut Album 2020” by NPR. Known for blending jazz with diverse influences, his 2023 album Letter to a Friend explored jazz-electronic fusion. Now based in Paris, Raphaël collaborates with top artists like Biréli Lagrène and Thomas Enhco and teaches at the American School of Modern Music.

Denis Guivarc’h

Saxophonist / Composer / Arranger
Denis Guivarc’h collaborated with Magic Malik for 20 years, producing 7 albums and performing at prestigious festivals such as Marciac and the North Sea Jazz Festival. He has also worked with renowned artists like Paco Séry, Steve Coleman, and Baptiste Trotignon.

Lou Tavano

SInger / Author
Lou Tavano, a graduate of the American School of Modern Music, is a renowned French jazz vocalist celebrated for her unique voice and emotional performances. Blending multiple languages in her music, she gained international recognition with her debut album For You (ACT Music, 2016), praised for its originality and depth.

Guillaume Estace

CEO / Guitarist / Composer
Born in Normandy, Guillaume Estace moved to Paris in 2001 to study at the American School of Modern Music, where he deepened his expertise in guitar, improvisation, harmony, composition, and orchestration. After receiving the Pierre Aguiton Scholarship from the General Council of La Manche and a World Scholarship Tour grant from Berklee College of Music, Guillaume relocated to the United States. He graduated Summa Cum Laude from Berklee in 2009. During his time in Boston, he had the privilege of working with some of the most distinguished professors in the U.S., including Mick Goodrick, Tim Miller, and David Gilmore.

Cédric Hanriot

Pianist / Composer / Producer
Cédric Hanriot is a pianist, composer, and producer known for his work with Herbie Hancock and Terri Lyne Carrington. He contributed to Dianne Reeves’ Grammy-winning album “Beautiful Life” and blends jazz, classical, and hip-hop influences. His acclaimed 2022 album “Time is Color Vol.1” earned CHOC by Jazz Magazine and a spot in MOJO’s Top 10 Albums of the Year.

Alex Terrier

Saxophonist / Composer / Arranger
Alex Terrier, a graduate of the Berklee College of Music, is a Paris-born saxophonist and composer based in New York. Leading international ensembles like the Alex Terrier Quartet, he has performed globally and is acclaimed for his album Roundtrip. Passionate about jazz, he also teaches and composes for visual media.

Louis de Mieulle

Bassist / Composer
Louis de Mieulle, Paris-born and ASMM, CNSM, and Berklee College of Music graduate, is a versatile composer and musician. Known for his jazz fusion and progressive rock albums, he has collaborated with Matt Garstka (Animals as Leaders) and Casimir Liberski. As a sideman, he has worked with Lulu Gainsbourg, Jean-Michel Pilc, and others. Now back in Europe, he focuses on film scoring, electronic music (as Louison), and repetitive improvisation with Moonsüün.

Anthony Jambon

Guitariste / Compositeur
Anthony, born in 1990, is a versatile guitarist with a foundation in classical music and a passion for jazz and improvisation. A graduate of the CMDL (Didier Lockwood Music Center) with honors, he has studied under renowned guitarists such as Pierre Perchaud and Manu Codjia. Anthony collaborates with artists like Sly Johnson, Lisa Simone, and Mayra Andrade, showcasing his rich influences across diverse musical styles.

Jean-Philippe Viret

Contrebassiste / Compositeur
Jean-Philippe Viret, born in Saint-Quentin in 1959, is a renowned double bassist and composer. A co-founder of the Orchestre de Contrebasses, he performed with Stéphane Grappelli from 1989 to 1997 and later established the Trio Viret, which won Best Group at the Victoires de la Musique in 2011 and 2020 for their album Ivresse. He also leads the innovative ensembles 60% de Matière Grave and Supplément d’Âme, and collaborates widely across jazz, classical, and world music projects.
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